blank sheet music manuscript paper score

We preferred to publish popular music in the key of the original performer.So I started from scratch, with a mechanical pencil (a Pentel 0.9 mm), an eraser (more useful than the pencil) and a blank sheet of music paper, and I transcribed ALL the Beatles music and put it into Piano/Vocal/Guitar (PVG) format. We looked at the sheet music that had been published up until then and we decided to do it all over again, because it was filled with wrong notes, wrong chords, wrong words, and had been published in wrong keys. for more than 30 years.I was the staff keyboard arranger at Hal Leonard in 1986. Hal Leonard still controls those rights and have been exclusive publishers of the Beatles print music in the U.S. the wrong keys), and often simplified rhythmically, melodically and harmonically.That is, until 1986, when Hal Leonard Corporation acquired the print rights to the Beatles catalog, including the songs of Lennon and McCartney and the songs of George Harrison. They were often transposed to more “friendly” keys (i.e. It’s published in E Flat major because that is a good male Baritone key for that song.So, this was true of Beatles songs published in the 1960’s. What key did Judy Garland sing it in? She sang it in A-as far away from E flat as you can go. They were all published that way back in the 1930’s, 1940’s and 1950’s.For example, “Over the Rainbow” is almost always published in E flat major. The vocal songs are all in a Baritone key. Yes, good old male chauvinism controlled the print music industry.Look at all the standard songs in books such as “The Real Book” (which has six editions now). It was also published in a key suitable for a male baritone singer. Prior to the late 1970’s or early 1980’s, sheet music was generally published in a piano friendly key-such as C, F, G or E-flat major.

Why is a lot of old sheet music in flat keys when clearly original versions of those songs were not? For example lots of Beatles songs. The Beatles catalog is still one of the best selling catalogs in print music.Sheet music is still usually done the same way is was done 30 or more years ago. Of course, all the Beatles’ songs have been arranged in dozens of print formats - PVG, Guitar TAB, Easy Piano, Piano Solo, Lead Sheet, Easy Guitar TAB, Big Note, Ukulele, etc. So we started over.I transcribed every Beatles song from their official studio albums (except “Revolution #9,” which isn’t really a song).All that music is still in print. But when we looked at what had been done, we determined that it hadn't always been done really well.

All the Beatles’ songs had already been made into sheet music. But most of the time, there was nothing but the recording.Hal Leonard obtained the print rights to the Beatles catalog in the mid-1980’s. The standard sheet music format is called PVG-which stands for Piano/Vocal/Guitar.Occasionally, for big Broadway shows such as “Phantom of the Opera” or “Les Miz,” I’d get an orchestral score, which was really useful. That’s what I did for many years-I arranged sheet music at Hal Leonard.I’d almost always do this by starting with blank music paper and a pencil and transcribing the actual recording.I did everything-pop songs, country songs, jazz recordings, and lots of Disney animated musicals.

He wrote the string quartet part that backed Paul and his guitar on “Yesterday.”He wrote the string octet part that was the musical basis for the song “Eleanor Rigby.”But he didn’t transcribe the Beatles songs or anything like that.In pop music, creating the sheet music is usually just about the last thing that happens. But the music was almost always in their heads.George Martin was a excellent arranger. It’s simple-they remembered them.The Beatles would sometimes write the words down.

Blank sheet music manuscript paper score